Äimärautio project won one of the Vogue Italia Prizes of the PHmuseum 2018 Women Photographers Grant! It was selected by Chiara Bardelli Nonino and is now published in online Vogue Italia.
Äimärautio project was picked by the PHmuseum as the Story of the Week.
Äimärautio project also won one of the Vogue Italia Prizes of the PHmuseum 2018 Women Photographers Grant! It was selected by Chiara Bardelli Nonino and will be published on Vogue Italia.
Äimärautio photobook is a story of a community where people share a common passion for horses. Through portraiture and landscape images it explores the contemporary horse cultures. It is published and sold by Raw View Editons
My self-portrait After Mood will be exhibited at the National Portrait Gallery in London as part of the Taylor Wessing Photographic Portrait Prize 2018 from October 18th till January 27th.
Part of my exhibition Äimärautio will be shown at the Finnish Museum of Photography’s Project Space from September.
Äimärautio is a place rich in encounters between human and horse. It is a community where horses are a way of life, and where people are united by the horse. The simple and direct encounters in my images reflect human passion and human commitment to horses. I explore through photography the need to be around horses and tell quiet stories about the contemporary horse culture.
”Common Dreams – Three Stories About the Relationship Between Man and Horse” exhibition at VB Photographic Center brings together the works of three finnish female photographers; Wilma Hurskainen, Kati Leinonen and Johanna Sjövall.
What does a place feel like? How do we construct a sense of place? The sense of place is multi-faceted – visual and carnal. The landscape is reflected on the retina, it smells, it feels on the skin. It consists of mental imagery, it contains fragments of history and today. It interweaves together the past and the present. The fragments of the place reveal about life but also remind us of its perishableness.
Italy, Basilicata, Matera – how to present a historical place that is repeated similar in thousands and thousands of pictures before me? What new can I add to that continuum? These are the questions I pondered over while working in an artist residency in Matera. People are absent in my images, but still strongly present in the traces they have left behind. The marks can be from fifteen minutes or fifty years back. Besides photographing these fragments I photographed the surrounding landscape through reflections. These create a new dimension to the landscape distancing it from the viewer, linking it with the inaccurate continuum of remembrance.
Kati Leinonen (b. 1974) is a Finnish photographer and an artist based in Oulu, Northern Finland. She has graduated in photography (BA Hons) from the London College of Printing and in audiovisual media culture (MA) from the University of Lapland, where she is currently working on her doctoral thesis investigates the 19th century wet collodion process as a tool for contemporary portrait. Her studies of the wet collodion process were conducted under France Scully-Ostermann in Rochester (USA) in 2008.